![]() ![]() The interface was daunting at first so we thought we show you briefly how we got the footage into resolve and back out ready to be used in our production. We found out that the free “Lite” version of resolve ( ) allowed us to open the raw cine files, do a first pass color correction and then export these out to the format of our choosing, in this case quicktime prores 4444. The camera tech, Michael from 444 Camera ( /index.html ), suggested we check out resolve, by blackmagic design. We decided against this because we don’t do a lot of Phantom shoots and didn’t really want to spend $800. The second method we heard about was using a codec called gluetools ( / ), which allows you to bring it into the program of your choice (the exception being Nuke / NukeX). Plus, it only runs on windows and we do most of our video work on macs. PCC also makes it easy to work with synchronized cameras, manage Phantom Cine raw files and convert. Fine-tune the resolution, frame rate, exposure, memory segmentation, trigger modes and automatic functions prior to recording. We spent some time trying to figure out the best way to work with these files and found several solutions online, but nothing mentioning what we ended up using, which is free, and let us work directly with the base raw file and do our first color pass.įirst, We tried the cineviewer software from the Vision Effects, ( ) the maker of the camera, and it does let you export out to various formats, but we were not happy with the workflow or the quality (dpx for instance) and found the interface left a lot to be desired. Phantom Camera Control (PCC) is the main software application that allows users to get the most out of Phantom cameras. We just wrapped up a day of shooting with a Phantom Flex camera, which was a lot of fun, and were left with ½ a terrabyte of phantom raw files in.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |